Mostly by design but taking advantage of the current status of his subjects, Sierra pays people that would otherwise not be tattooed to get an audience for his work. Santiago Sierra – 250 cm line tattooed on 6 paid people, 1999, Espacio Aglutinador, La Habana, Cuba Santiago Sierra – 250 cm line tattooed on 6 paid people, 1999, Espacio Aglutinador, La Habana, Cuba Santiago Sierra – 250 cm line tattooed on 6 paid people, 1999, Espacio Aglutinador, La Habana, Cuba Santiago Sierra – 250 cm line tattooed on 6 paid people, Espacio Aglutinador, La Habana, Cuba, 1999 Santiago Sierra – Person paid to have a 30 cm line tattooed on them (Línea de 30 cm tatuada sobre una persona remunerada), Regina Street # 51, Mexico City, May 1998 Analysis On numerous occasions, two men dressed in dark attire can be seen taking measurements of the tattoo as it progresses. Their movements over the duration of the entire process involve laughing, chatting and even smoking. Their pay for agreeing to be tattooed is the price of a single shot of her.ĭoes the fact that the artist pays them what they would normally earn in 4 hours for an hour’s work just? Apart from the fact they are addicts and desperate, it does seem quite thoughtful? What if the prostitutes did not want to be tattooed at all and only did it for the attached benefit? The circumstances surrounding the process give the artwork the name ‘160 cm Line Tattooed on 4 People …’ 160 cm Line Tattooed on 4 People, 2000Īs the tattoo artist draws the tattoos on their backs, the 4 women appear oblivious of the pain, although they might very well be concluded to be nervous. From the artist’s explanation, the four women are prostitutes and addicted to her. The event took place in Salamanca, Spain, in 2000. In a video recording of the process of drawing a tattoo on the back of four women, the documentation by an artist, Santiago Sierra, has a far deeper meaning. ![]() 3 250 cm line tattooed on 6 paid people, 1999. ![]() 2 160 cm Line Tattooed on 4 People, 2000.
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